Big Data’s Biases, and the Artists and Designers Filling in the Blank Spots Hey there, and welcome to the Eye on Design Thursday newsletter, where we take a closer look at one big story from the website and highlight what makes it so exciting. link This week we explore data bias and exclusion, and speak with designers, developers, and artists link about why missing data so often intersects with the interests of the most vulnerable. heading level 2 Finding the Blank Spots in Big Data link finding the blank spots in big… How often do we think of data as missing? Data is everywhere it’s used to decide what products to stock in stores, to determine which diseases we’re most at risk for, to train AI models to think more like humans. It’s collected by our governments and used to make civic decisions. It’s mined by major tech companies and sold to advertisers. As our data becomes an increasingly valuable commodity, for your data to be missing to not be seen or counted can almost seem like a good thing. On the other hand, when data is used at such an enormous scale, gaps take on an outsized importance. In her new book, Invisible Women: Exposing Data Bias in a World Designed for Men, Caroline Criado Perez argues that the lack of data collected on women not only naturalizes sex and gender discrimination, it also quite literally endangers women’s health (e dot g. when the crash test dummy is only designed for average male proportions). Missing data can also lead to erasure, reinforce bias, and, ultimately, create a distorted view of humanity. As Tea Uglow, director of Google’s Creative Lab, has put it, If the data does not exist, you do not exist. heading level 1 If the data does not exist, you do not exist. Today, there’s an increasing number of artists, programmers, designers, and technologists that are addressing this problem at a grassroots level. These creatives understand that those most at risk for being excluded from data are also the most marginalized, and they’ve decided to use data as a way to protest and challenge who has access to power and who doesn’t. They also bring idealistic, communal, and at times poetic approaches to the biggest hurdle when dealing with blank spots having to address something that isn’t there. heading level 3 link Read more about the individuals who are working to find and fill the blank spots in big data, and heading level 3 link what large tech companies and institutions could learn from them. heading level 3 The Eye on Design newsletter reaches over 100,000 subscribers each week. To advertise with us, heading level 3 email eodpartnerships at aiga dot org link commercialclassics dot com link how to heading level 3 Unlabeled graphic To get missing image descriptions, open the context menu. heading level 3 heading level 3 You’re getting this because you’re already a subscriber, and we hope you like what we’ve got in heading level 3 store for you next. (You'll still get the regular Monday newsletter, the pink one that recaps the heading level 3 best stories of the week. link Manage your preferences here dot ) heading level 3 heading level 3 link Eye on Design is an independent, link award winning magazine and website published by link AIGA, the heading level 3 link professional association for design dot link graphic Facebook link graphic Twitter link graphic Link Copyright Copyright 2019 AIGA Eye on Design All rights reserved link UNSUBSCRIBE FROM THIS LIST